Tuesday, January 20, 2009
January 09 Virtual Sketch Date
Thursday, December 11, 2008
December Virtual Sketch Date
Saturday, September 27, 2008
September Virtual Sketch Date
Wednesday, August 20, 2008
Last of the Dandelions - Finally!
Friday, July 25, 2008
Dandelion Series - Stage 2
- Lots of layering.
- Solvent use.
- Dry brush burnishing.
- No worrys of bending or tearing.
- Acid-free and non-yellowing.
- Great for mixed media techniques.
- Framing without glass.
Here are some of my favorite artists who do wonderful work on pastel board:
Kathrine Tyrrell: http://makingamark.blogspot.com/2006/12/ampersand-pastelbord.html
Nicole Caulfield: http://www.nicolecaulfieldfineart.blogspot.com/
Ranjini: http://www.vividpencils.com/stilllife_page2.htm
Maggie Stiefvater: http://greywarenart.blogspot.com/search?q=pastel+board
"Where can I get these great Ampersand pastel boards?", you ask. Here's a link to the Ampersand web-site with the "where to buy" information: http://www.ampersandart.com/
If you do try it, I would love to hear your thoughts about it and see your work. Ooh, and if you find some new as-yet-untried technique, please share!
Monday, July 21, 2008
A Series of Weeds
- I've always thought they were beautiful. Just simple, bright and promise summer is on the way.
- They're the first bouquet most kids give their moms. And as a mom, the most cherished bouquet you'll ever get.
- These babies are survivors, too. Who can't identify or root for the underdog? No matter how much they're dug, pulled, sprayed, or stomped, they come back.
- The metamorphosis they go through will never cease to amaze me. I still pick the fluffy ones and make wishes. (You can blame me for the sprouts in your yard.)
Wednesday, June 11, 2008
When We're Fragile
First, I have been working, making new art and finishing old pieces that are lingering in my studio. I currently have 6(!) works in progress within view. (I read books the same way - several novels, audio books, short stories at the same time.)
Second, I have been ruminating on some big decisions regarding my work. Here are just some:
- Should I branch out and show some other work NOT done in colored pencil?
- Is it time to switch media to more oil (i.e., more money)?
- Should I stay in my art coop or is it time to move on?
- Should I attempt to show my work at other galleries?
- While wanting to teach colored pencil and drawing classes, how will it negatively eat away at my studio time (which is SO precious).
- What other avenues are available to me as an artist?
Those are just a few things mulling over in my head - constantly. Yes, I could probably do all of the above; but I want to do whatever I choose very, very well. (Oh, the curse of the Virgo perfectionist!) And, how will I do all of these things while juggling many, many other family responsibilities. (Unlike Maggie Stiefvater, whom I admire SO much, I am not the Queen of the World or Super Girl; I know my mortal limitations.)
So you see, I have been pondering some big changes and that brings up number 3.
Third, whenever I am faced with big changes (the biggest for me is leaving the co-op), I can spiral into the abyss of depression. Long family history topped with the fragile ego of a creative spirit is a legacy I have dealt with for all of my adult life. It is a fact of my life, albeit a sometimes shameful one (why do we continue to perpetuate this!), and I know will probably never just disappear. So, once in a while I "go under" and eventually emerge.
So here I am emerging.
This drawing I just completed last night and it suits my current mood perfectly: intact but fragile. Here is "Fragile Hold", colored pencil on 8 x 10 Ampersand pastel board.
Friday, December 28, 2007
Monday, December 17, 2007
Change the World a Little Today
Monday, December 10, 2007
New WIP - Cathedral
Saturday, November 24, 2007
Negativity Can Be Fun
Sunday, October 28, 2007
Short North Arches Finally Finished!
Short North Arches
16 x 20"
Colored Pencil Drawing on Ampersand Pastel Board
I drew this piece right onto the surface of an Ampersand pastel board. After laying down the initial few layers of color, I realized I wasn't going to get the color saturation I wanted, so I used Gamsol to dissolve the wax and "paint" the color deeper into the board. I was then able to go back over the work with more layers of color.
Because I have admired her work for a long time, I asked Nicole Caulfield to share with me how she finishes her work in order to frame it without glass and she generously did just that. Nicole first sprays her work with Lascaux fixitive and then Krylon Kamar Varnish. I ran out and bought both products and am very, very pleased with the results. Thanks, Nicole!
Once I frame this puppy, I plan to show it at Studios on High Gallery in time for the holidays. I'll let you know if it sells! (Or, if you're interested, drop me a note!)



Dandelion Series: Stage 2
Dandelion Series: Stage 1